Category Archives: podcasts

Hell Is For Hyphenates – December 2018

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Cassandra Magrath joins us to talk the films of Lars Von Trier!

Actor and producer Cassandra Magrath (Wolf Creek, SeaChange, Wentworth) joins Rochelle and Lee to talk about some of the key films from the past month, including Alfonso Cuarón’s biographical drama Roma (01:30), Yorgos Lanthimos’s acerbic historical comedy The Favourite (4:21), Susanne Bier’s sensory apocalyptic thriller Bird Box (08:53), and Gaspar Noé’s dance-filled horror Climax (14:50).

They then compare their favourite films of 2018: how many crossovers and surprises lie within their lists? (23:03)

Then, Cassandra takes us through the works of her filmmaker of the month, Lars Von Trier. The Danish director is best known for brutal, challenging works like Breaking the Waves, Dancer in the Dark, Dogville, Antichrist, Melancholia and Nymphomaniac. He’s a controversial, divisive figure equally loved and hated by film fans across the world. So is Von Trier a provocateur who prefers shock tactics to sincerity, or a misunderstood master filmmaker with ?

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Hell Is For Hyphenates – November 2018

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Briony Kidd joins us to talk the films of Park Chan-wook!

Rochelle and Lee look back at some of the new films from this month, including Steve McQueen’s heist drama Widows (0:55), the darkly comic Coen Bros Western The Ballad of Buster Scruggs (03:57), Boots Riley’s absurdist comedy Sorry To Bother You (07:38), and the long-lost Orson Welles film The Other Side of the Wind (10:54).

They’re then joined by filmmaker, critic, and festival curator Briony Kidd to talk about a recent BBC poll of the hundred greatest foreign language films. There were only four women directors accounted for in the list, so is the problem a lack of female filmmakers, or is it the lists themselves that are the issue? (14:58)

Briony then takes us through her filmmaker of the month, Park Chan-wook. Park is maybe South Korea’s best-known director, with films like Sympathy For Mr Vengeance, Olboy and Lady Vengeance cementing him as a global cult figure. With the English-language Stoker and the acclaimed The Handmaiden certifying him as one of the modern greats, we look at why there’s so much more to this filmmaker than the bloody vengeance that made him famous. (27:13)

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Hell Is For Hyphenates – October 2018

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Scott Derrickson joins us to talk the films of Wim Wenders!

Rochelle and Lee catch up on some new releases, including Nicole Holofcener’s drama The Land of Steady Habits (01:14), Bradley Cooper’s update of the Hollywood classic A Star Is Born (04:00), Damien Chazelle’s moon landing retelling First Man (08:56), and the Freddie Mercury and Queen biopic Bohemian Rhapsody (13:34).

Then, we’re joined by filmmaker Scott Derrickson (The Exorcism of Emily Rose, The Day the Earth Stood Still, Sinister, Doctor Strange) to talk about his filmmaker of the month, Wim Wenders. Scott takes us through why films such as Wings of Desire, Paris, Texas, Buena Vista Social Club, Pina, the road movie trilogy, and so many others, had such a profound impact on him. He also talks about his friendship with Wim, the film they made together, and offers a uniquely personal insight into Wim Wenders as both the artist and the man. (23:06)

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Hell Is For Hyphenates – September 2018

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Greg McLean joins us to talk the films of Ridley Scott!

It’s episode 100 of Hell Is For Hyphenates! After an introduction from former hosts Paul Anthony Nelson and So Mayer, Rochelle and Lee are joined by filmmaker Greg McLean (Wolf Creek, Jungle, The Belko Experiment) in front of a live audience at this year’s Melbourne Melbourne International Film Festival.

They look at the films of Greg’s filmmaker of the month, the legendary Ridley Scott. From Scott’s debut The Duellists to game-changing science fiction films Alien and Blade Runner, his films have left an indelible mark on pop culture. Thelma and Louise, Gladiator and The Martian have also been seared onto the public consciousness, and the masterful way in which he skirted the near-fatal controversies of All the Money in the World proves that after more than four decades of directing, Ridley Scott is still a force to be reckoned with.

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Hell Is For Hyphenates – August 2018

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Daina Reid joins us to talk the films of John Hughes!

Rochelle and Lee take a break from new releases to attend the Melbourne International Film Festival, and share their thoughts on some of the key films they saw, including Terry Gilliam’s long-awaited The Man Who Killed Don Quixote (2:03), Gus Van Sant’s memoir adaptation Don’t Worry, He Won’t Get Far On Foot (5:00), Guy Maddin’s latest collaborations with co-director siblings Evan & Galen Johnson The Green Fog and accompanying short film Accidence (8:21), and Asghar Farhadi’s foray into Spanish language cinema with Everybody Knows (12:14).

Director Daina Reid joins the show to discuss her unique career path, and how performing sketch comedy on television alongside the likes of Eric Bana, Kitty Flanagan and Shaun Micallef was an unexpected but valuable diversion on her path to making film and TV. Can a background in comedy help when directing heart-wrenching episodes of The Handmaid’s Tale? (16:37)

Then, Daina takes us through the works of her filmmaker of the month, John Hughes. Hughes was the writer and sometimes director behind a slew of crowd-pleasing hits, including National Lampoon’s Vacation, Planes, Trains and Automobiles, Home Alone and Beethoven, but it was his teen comedies that really struck a chord with a generation. Films like Sixteen Candles, The Breakfast Club, Pretty In Pink and Ferris Bueller’s Day Off were high-concept but relatable films that had a profound effect on teenage audiences, and the influence of his work can still be felt to this day. But some elements of his films have not dated well, and we attempt to unpack and best and the worst of the prolific John Hughes filmography. (28:09)

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Hell Is For Hyphenates – July 2018

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Corrie Chen joins us to talk the films of Nora Ephron!

Rochelle and Lee look back at some key films from this month, including Haifaa al-Mansour’s gothic biopic Mary Shelley (01:37), the Ruth Bader Ginsburg documentary RBG (06:01), the Kiwi comedy The Breaker Upperers (10:29), and William Friedkin’s exorcism doco The Devil and Father Amorth (13:29).

They then welcome this month’s guest, writer-director Corrie Chen, and ask her about one of Nora Ephron’s favourite phrases: “everything is copy”. Is Ephron correct? Is storytelling a way of owning your life story? And has Corrie applied this lesson to her own filmmaking? (18:31)

Then, Corrie takes us through the films and career of Nora Ephron. Now best known for writing the romantic comedy When Harry Met Sally, and for writing and directing Sleepless In Seattle, Ephron was a prolific writer, penning articles, books and stageplays, fighting for justice when denied a writing job by her employer because of her gender, and bringing an acerbic wit to the most heartfelt of stories. We look back at what made her voice so distinct and unique, and discover a few hidden meanings threaded throughout her works. (31:13)

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Hell Is For Hyphenates – June 2018

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Alex Ross Perry joins us to talk the films of Alan J Pakula!

Rochelle and Lee look back at some of the films of the month, including heist spin-off Ocean’s 8 (00:50), sci-fi action flick Upgrade (03:29), Israeli drama Foxtrot (06:05), and animated superhero sequel Incredibles 2 (08:59).

Lee then chats to this month’s guest, writer-director Alex Ross Perry, about how to get your arthouse film in front of audiences in a world of ever-shifting distribution models. What kind of cast do you pursue? Can you afford to care about streaming vs cinema? What’s it like going from indie cinema to working for Disney? (16:16)

Then, Alex takes us through the career of his filmmaker of the month, Alan J Pakula. Pakula is best known for his conspiracy thrillers, particularly his much-lauded paranoia trilogy: Klute, The Parallax View, and All the President’s Men. He was also responsible for the drama Sophie’s Choice, the courtroom suspense Presumed Innocent, and the John Grisham adaptation The Pelican Brief. But he has a number of strings to his bow, making everything from Westerns to comedies to romances, and Alex takes us through his works and what it is he meant. (29:49)

Finally, Lee checks back in with Rochelle, who gives her thoughts on Pakula’s films, and they look at some of the projects Pakula was reportedly planning before his death. (56:35)

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Hell Is For Hyphenates – May 2018

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Abe Forsythe joins us to talk the films of Bong Joon-ho!

Rochelle and Lee look over some of the films they’ve seen this month, including Star Wars prequel Solo (00:40), Jason Reitman and Diablo Cody third collaboration Tully (06:07), serial killer biopic My Friend Dahmer (11:32), and Australian coming-of-age surf movie Breath (15:29).

Actor/writer/director Abe Forsythe joins us to talk about the challenges of making a local film for an international audience. After two very local films – the Ned Kelly comedy Ned (2003) and the Cronulla riots comedy Down Under (2016) – Abe has just wrapped production on zombie comedy Little Monsters, starring Oscar winner Lupita Nyong’o and originating Book of Mormon cast member Josh Gad, which has an undeniably broader built-in appeal. Abe talks about the different challenges of making films for wider audiences, and looks at the type of films Australia should consider making. (20:00)

Then, Abe takes us through the career and works of his filmmaker of the month, Bong Joon-ho! Bong is one of South Korea’s most popular filmmakers, making everything from monster movies like The Host to dramatic thrillers like Memories of Murder and Mother. In recent years he’s become an even bigger name, directing dystopian action film Snowpiercer and dramatic science fiction Okja. He’s an unconventional director with a unique eye, and his films are always infused with a real heart. Abe tells us which films got him hooked, why they mean so much to him, and the effect Bong’s films have had on his own. (32:39)

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Hell Is For Hyphenates – April 2018

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Ming-Zhu Hii joins us to talk the films of Steve McQueen!

Rochelle and Lee are joined by this month’s guest, actor and filmmaker Ming-Zhu Hii! Ming-Zhu joins us to chat about some of the key films from this month, including Steven Soderbergh’s feature-film-shot-on-an-iPhone Unsane (01:21), Rungano Nyoni’s dramatic debut I Am Not a Witch (07:40), Sally Potter’s one-act stageplay-esque The Party (14:47), and Wes Anderson’s stop motion animation Isle of Dogs (20:37).

They then look at the news that the Cannes Film Festival has banned Netflix films from playing in competition. Is Cannes turning its back on the changing nature of cinema, or helping to preserve its traditions? (27:10)

Then, Ming-Zhu takes us through the films of British filmmaker and artist Steve McQueen. McQueen is best known for his feature films Hunger (2008), Shame (2011), and 12 Years a Slave (2013), all of which received high critical praise, and the latter of which won the Oscar for Best Picture. But McQueen had a prolific career before he entered the world of feature films, winning the Turner Prize for his art, as well as making short films, video installations, TV commercials, music videos, and much more besides. Ming-Zhu talks about how she first discovered McQueen’s work, and what it means to her. (35:48)

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Hell Is For Hyphenates – March 2018

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Noah Segan joins us to talk the films of Dennis Hopper!

Rochelle and Lee look back at some of the key films from this month, including Steven Spielberg’s pop culture paean Ready Player One (00:46), Aki Kaurismäki’s wry Finnish comedy-drama The Other Side of Hope (05:49), Ruben Östlund’s wry Swedish comedy-drama The Square (08:08), Armando Iannucci’s wry Russian comedy-satire The Death of Stalin (11:51), and Garth Davis’s non-wry Biblical drama Mary Magdalene (14:32).

We’re then joined by this month’s guest, actor Noah Segan! Noah talks about what it’s like to go from being a fan of classic films to the star of future classics. Is there a cognitive dissonance that comes from growing up on Star Wars and then suddenly finding yourself piloting an X-Wing? (17:05)

Then, Noah takes us through the films directed by the legendary Dennis Hopper! Hopper appeared in some of the most iconic movies of all time, but with his directorial debut Easy Rider he proved he was just as capable of making modern masterpieces himself. His subsequent career as a director did not quite hit the heights of that first film, but what followed still proved Hopper to be a fascinating filmmaker with a unique point of view. Noah talks about what these films meant to him, and reveals the very specific influence Hopper had on his own career. (30:12)

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