Our guest this month is critic, film producer and horror aficionado Scott Weinberg. Sophie and Lee look back at some of the key films of this month, including James Gunn’s comic book sequel Guardians of the Galaxy vol. 2, Raoul Peck’s James Baldwin documentary I Am Not Your Negro, and Warren Beatty’s Howard Hughes biopic Rules Don’t Apply. Then Scott joins the show to look at the Netflix model of film distribution: is the streaming service making harder-to-find films more accessible by conveniently delivering them directly to your television set, or is its overabundance of content causing the smaller titles to disappear? Then Scott takes us through the career and works of his chosen filmmaker of the month, English horror director Neil Marshall.
Want to become an instant expert in our filmmaker of the month without committing yourself to an entire filmography? Then you need the Hell Is For Hyphenates Cheat Sheet: we program you a double feature that will not only make for a great evening’s viewing, but will bring you suitably up-to-speed before our next episode lands…
DOG SOLDIERS (2002) and THE DESCENT (2005)
Your evening’s viewing begins with Dog Soldiers, the first feature by Neil Marshall. The film follows a group of soldiers in the Scottish Highlands who find their training mission interrupted when they are terrorised by a pack of werewolves. Marshall’s debut feature revels in the grand tradition of low-budget horror films, using budgetary limitations to its advantage: a contained cast and a remote location means that the characters are front and centre and the scares are restrained and effective. After watching a group of men battle werewolves in the forest, you’re going to want to watch a group of women battle subhumans in an underground cave system: his follow-up The Descent is a masterful horror, stylish as hell and terrifying as all get-out. Marshall wisely keeps his focus on character, forgoing the usual trope stereotypes in favour of complex people we genuinely care about. And then he drops them in the most terrifying setting imaginable. If you’re not claustrophobic when the film begins, you will be by the end, and the confined cave system isn’t even the scariest thing about this ingenious horror flick. Honestly, text your friends now because this is a double feature designed for company.
Substitutions: If you can’t get or have already seen Dog Soldiers, check out Doomsday (2008). This postapocalyptic virus film was conceived by Marshall when he imagined futuristic soldiers battling medieval knights, and draws inspiration from the likes of Mad Max and Escape From New York. If you can’t get or have already seen The Descent, track down Centurion (2010). The historical action film features Michael Fassbender as a Roman soldier on the run in Britain, fighting Picts and traitorous Romans alike as he tries to stay alive in 117AD.
The Hidden Gem: Want to check out something slightly off the beaten track? Well, it’s kind of tricky to do a Hidden Gem this month, as Marshall’s only made four features. We were tempted to suggest one the many high-profile episodes of television he’s directed (particularly the 2012 Game of Thrones episode Blackwater), but we think we might go with Marshall’s 1999 short film Combat. It’s under eight minutes long, you can watch it literally right now by clicking on this link, and it’s a perfect encapsulation of what makes Marshall so interesting: a straightforward high-concept idea executed with all the filmmaking elements available. If you are going to watch a double feature as suggested above, we recommend kicking it off with a pre-show screening of Combat.
The next episode of Hell Is For Hyphenates, featuring Scott Weinberg talking Neil Marshall, will be released on 30 April 2017.
Paul and Lee sit on the couch with friend, collaborator and filmmaker Tim Egan. They look back at the films of July 2010, debate film censorship in Australia, and debate the films of Christopher Nolan.