It’s the 7th anniversary of Hell Is For Hyphenates, and to mark the occasion we are joined by a guest who was, just last month, the subject of our filmmaker of the month segment: horror filmmaker Neil Marshall! We kick off this episode with reviews of some of this month’s films, including Jordan Peele’s horror comedy Get Out, Ridley Scott’s sequel-to-a-prequel Alien: Covenant, the fifth Pirates of the Caribbean film Dead Men Tell No Tales, and the British comedy film Mindhorn. Then Neil talks about what it’s like as a filmmaker to listen and read criticism of his films, and what influences that has on his work. Finally, Neil takes us through the films and career of one of his biggest inspirations, a director of comedy, horror, fantasy, and much more besides, Joe Dante!
Author and journalist Maria Lewis joins us to look back at the films of June 2016 (according to UK release dates!): Shane Black’s The Nice Guys, Studio Ghibli’s latest animated drama When Marnie Was There, and the adaptation of Timothy Conigrave’s memoir Holding the Man. They then check out the unprecedented rules that Paramount has announced for Star Trek fan films. Finally, Maria enthuses about the films of modern genre favourite Guillermo Del Toro.
Want to become an instant expert in our filmmaker of the month without committing yourself to an entire filmography? Then you need the Hell Is For Hyphenates Cheat Sheet: we program you a double that will not only make for a great evening’s viewing, but bring you suitably up-to-speed before our next episode lands…
HELLBOY (2004) and PAN’S LABYRINTH (2006)
Guillermo Del Toro is synonymous with genre filmmaking, and these back-to-back films in the early 2000s are vintage Del Toro. Kick your evening off with Hellboy, the adaptation of Mike Mignola’s comic. If Del Toro announced tomorrow, in the midst of shared universes and endless capes, that he was going to make his own superhero film, this is exactly the one we’d all want him to make. Hellboy is funny, imaginative, and has a wonderfully unusual edge to it. He followed this film up with Pan’s Labyrinth, the perfect encapsulation of his tendencies towards the horror-fantasy stylings of fairy tales. Program this double, and you may dub yourself a true expert in the worlds of Guillermo Del Toro.
Substitutions: If you can’t get or have already seen Hellboy, you should watch Blade II (2002). And here you thought we were going to suggest the Hellboy sequel. Which is a fine choice, but you’ll learn a lot about Del Toro by seeing the direction he takes the vampire superhero in. If you can’t get or have already seen Pan’s Labyrinth, then you should seek out The Devil’s Backbone (2001), the wonderful and terrifying companion piece to Pan.
The Hidden Gem: There are not many hidden gems for Del Toro’s fans, who have comprehensively sought out all of his early works. But it’s his debut Cronos (1993) that is arguably the least-discussed. His film about the quest for eternal life is equal parts horror, fantasy and funny.
The next episode of Hell Is For Hyphenates, featuring Maria Lewis talking Guillermo Del Toro, will be released on the morning of June 30.