Tag Archives: mother

Hell Is For Hyphenates – May 2018

Abe Forsythe joins us to talk the films of Bong Joon-ho!

Rochelle and Lee look over some of the films they’ve seen this month, including Star Wars prequel Solo (00:40), Jason Reitman and Diablo Cody third collaboration Tully (06:07), serial killer biopic My Friend Dahmer (11:32), and Australian coming-of-age surf movie Breath (15:29).

Actor/writer/director Abe Forsythe joins us to talk about the challenges of making a local film for an international audience. After two very local films - the Ned Kelly comedy Ned (2003) and the Cronulla riots comedy Down Under (2016) - Abe has just wrapped production on zombie comedy Little Monsters, starring Oscar winner Lupita Nyong’o and originating Book of Mormon cast member Josh Gad, which has an undeniably broader built-in appeal. Abe talks about the different challenges of making films for wider audiences, and looks at the type of films Australia should consider making. (20:00)

Then, Abe takes us through the career and works of his filmmaker of the month, Bong Joon-ho! Bong is one of South Korea’s most popular filmmakers, making everything from monster movies like The Host to dramatic thrillers like Memories of Murder and Mother. In recent years he’s become an even bigger name, directing dystopian action film Snowpiercer and dramatic science fiction Okja. He’s an unconventional director with a unique eye, and his films are always infused with a real heart. Abe tells us which films got him hooked, why they mean so much to him, and the effect Bong’s films have had on his own. (32:39)

The Bong Joon-ho Cheat Sheet

Want to become an instant expert in our filmmaker of the month without committing yourself to an entire filmography? Then you need the Hell Is For Hyphenates Cheat Sheet: we program you a double feature that will not only make for a great evening's viewing, but will bring you suitably up-to-speed before our next episode lands…

MEMORIES OF MURDER (2003) and OKJA (2017)

It's safe to say Bong Joon-ho has never repeated himself, but if you absolutely had to divide his filmography into distinct hemispheres, you could justify labelling one basket “gritty murder mysteries in small towns” and another “high-concept, possibly involving a giant monster”. So kick your evening off with Memories of Murder, which we'll reductively but usefully describe as the South Korean Zodiac. Inspired by the country's first recorded serial killer, the film follows a local detective partnered with a city detective, and digs into the processes and mistakes the pair makes as they try to catch the killer. Not afraid of overselling this one: it's easily one of the best modern police procedurals you're likely to see. Once you've seen that, follow it up with Okja, The fantasy-action film follows a young girl who runs away to save the life of her beloved gigantic pig, falling in with a group of animal liberationists as they try to rescue the genetically engineered creature from the ominous Mirando Corporation. Beloved by audiences and critics, the film was nominated for a Palme d'Or at last year's Cannes Film Festival, and is available right this second on Netflix.

Substitutions: If you can't get or have already seen Memories of Murder, seek out Mother (2009). When her son is accused of a terrible murder, a woman who sells medicinal herbs sets about trying to prove his innocence, becoming increasingly forceful as she finds herself blocked at every turn. If you can't get or have already seen Okja, get your hands on Snowpiercer (2013), which is also on Netflix, and also features a perfectly over-the-top Tilda Swinton performance. Our world has frozen over, and all that's left of humanity resides in a super train that travels the world. The rich and powerful reside at the front, and the poor and destitute are kept at the back, at least until a group from the rear of the train decide it's time to mount a revolution, and begin an odyssey through the microcosmic societies that have formed down the carriage line.

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of Bong Joon-ho? Then you should track down Barking Dogs Never Bite (2000). Bong's first film foreshadows a lifelong preoccupation with idiosyncratic characters, his fascination with the relationship between humans and animals, and a tendency to lean on unexpected musical cues and styles. If you're a fan of Bong, this is an essential and little-seen piece of the puzzle.

The next episode of Hell Is For Hyphenates, featuring Abe Forsythe talking the films of Bong Joon-ho, will be released on 31 May 2018.

Hell Is For Hyphenates – September 2017

Michael Ian Black joins us to talk the films of Sylvester Stallone!

We kick off this month by looking back at some of the key new releases, including Darren Aronofsky’s allegorical and grammatically-troubled mother! (00:50), Matthew Vaughan’s action sequel Kingsman: The Golden Circle (05:49), Andy Muschietti’s adaptation of the Stephen King classic It (09:32), and the popular Australian indie comedy That’s Not Me (13:57).

Lee then talks with this month’s guest, actor and writer Michael Ian Black (Wet Hot American SummerEdThis Is 40Another Period), to look at the films of writer/director/actor Sylvester Stallone. Stallone’s reputation as a muscle-bound 1980s action hero belies his work behind the camera, with a filmography that’s far more complex and thoughtful than he is often credited with. Michael takes us through this varied and fascinating career, and reveals his theory on what Sly’s films are really about (17:16).

Rochelle then rejoins the show to wrap up the episode and give her thoughts on Stallone’s filmography and the discussion with Michael. (55:16)

Hell Is For Hyphenates – January 2014

Cinephile, critic and festival programmer Ian Barr joins the show to talk the films of January 2014, discover the groundbreaking career of the pioneering Alice Guy-Blaché, and look over the films directed by legendary comedian Albert Brooks.