Tag Archives: the boys in the band

Hell Is For Hyphenates – February 2018

Andrew Kevin Walker joins us to talk the films of William Friedkin!

Rochelle and Lee kick off this month by looking back at some of its key releases, including Paul Thomas Anderson’s sartorial melodrama Phantom Thread (00:58), Ryan Coogler’s game-changing superhero film Black Panther (05:19), Greta Gerwig’s coming-of-age comedy-drama Lady Bird (11:09), and Aaron Sorkin’s directorial debut biopic Molly’s Game (14:41).

Lee then welcomes this episode’s guest host, screenwriter Andrew Kevin Walker! They discuss how much or how little the on-screen film credits can reflect the work a screenwriter actually does on a project, the complicated system of arbitration, and what it’s like to both rewrite someone else’s work and be rewritten yourself. (18:11)

Then, Andrew takes us through the works and career of his filmmaker of the month, William Friedkin! Friedkin was one of the New Hollywood movement’s most striking voices, with a string of all-time classics to his name, as well as some very surprising and little-seen works in-between. Andrew talks about his most beloved Friedkin films, and the massive influence they had on him. (29:52)

Then Lee checks back in with Rochelle, and they wrap up the show with their thoughts on the films of William Friedkin, and what they discovered in going back through his career. (55:33)

The William Friedkin Cheat Sheet

Want to become an instant expert in our filmmaker of the month without committing yourself to an entire filmography? Then you need the Hell Is For Hyphenates Cheat Sheet: we program you a double feature that will not only make for a great evening’s viewing, but will bring you suitably up-to-speed before our next episode lands…


It’s not a slight on William Friedkin’s later career that we picked two films from the 1970s. It’s just that, well, how do you not go with these titles? The French Connection is a procedural crime film best remembered for featuring one of the greatest and most tension-filled car chases of all time, but there’s so much more to it than that. It’s hard to think of many other films of this ilk with characters, dialogue and detail this complex, which is probably why it gets exponentially better on every viewing. Once you’ve finished watching the adventures of Popeye Doyle, pop on a copy of The Exorcist. If this is your first viewing, then we won’t spoil the surprises that are to come. You already know its reputation as one of the most terrifying and genre-changing horror films of all time, and its impact has certainly not been lessened with time. Watch these two films back-to-back and you’ll not only have the best possible night in, but you’ll gain a good understanding of what made Friedkin one of the greats.

Substitutions: If you can’t get or have already seen The French Connection, seek out Cruising (1980). The film about cop Al Pacino investigating a serial killer targeting gay men was controversial upon its release, and its reputation remains contentious. But the procedural detail that drove French Connection drives this film, and it’s certainly one you can’t afford to let pass you by. If you can’t get or have already seen The Exorcist, get your hands on Sorcerer (1977). Based on the same Georges Arnaud novel that inspired Henri-Georges Clouzot’s Wages of Fear (1953), Sorcerer follows a group of men tasked with transporting unstable explosives over brutally rough terrain. If you can, see it as big and as loud as possible. And try good luck extracting your fingers from the arm rests afterwards.

The Hidden Gem: Want to see something off the beaten path, a title rarely mentioned when people talk about the films of William Friedkin? Then you should track down The Boys in the Band (1970). Adapted by Mart Crowley from his own play, the film is about… actually, we’ll let imdb take on the responsibility of synopsising: “Tempers fray and true selves are revealed when a heterosexual is accidentally invited to a homosexual party.” It goes without saying that much of the content will look dated to a 2018 audience, but that’s true of all films, and should not put you off checking it out.

The next episode of Hell Is For Hyphenates, featuring Andrew Kevin Walker talking the films of William Friedkin, will be released on 28 February 2018.